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October
14, 2000 - November 26, 2000
La Flor y la Calavera:
Altars and Offerings for the Days of the Dead
History Special and Breuner Galleries
Presented by the Education
Department
"Human
equilibrium is the result of two attractions, one towards death,
and the other towards life." -Eliphas Levi
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Aztec
Dancers, Days of the Dead
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The Oakland
Museum of California's seventh annual exhibition in observance of
the Nov. 1 and 2 Mexican festival of Días de los Muertos
takes place from Oct. 14 through Nov. 26, 2000. La Flor y la
Calavera: Altars and Offerings for the Days of the Dead features
altars and artworks by Bay Area Chicano and Latino artists, community
groups and students. The exhibition includes an altar honoring Fruitvale
community activists Josie de la Cruz and Carmen Flores, a collection
of photographs of Days of the Dead traditions throughout Mexico,
and a free Sunday afternoon community celebration featuring music,
ceremonies, craft activities and mercado.
This year's
exhibition examines the centrality of the concept of balance in
pre-Columbian traditions as well as in our time. In the Breuner
Gallery, the roots of the Días de los Muertos celebration
are traced back to the early cultures of Mexico. The pre-Columbian
belief in the unity of life and death as the means of maintaining
harmony and balance in the cosmos and the impact of this belief
on the traditions of Days of the Dead are presented. In the History
Special Gallery artists reinterpret this ancient tradition, exploring
the human need for balance in our lives, in our relationship with
nature, and in the formation of our society's multicultural identity.
Guest curators
of the exhibition are Eduardo Pineda and Bea Carrillo Hocker. Pineda
is Assistant Director of Education at the San Francisco Museum of
Modern Art. A muralist with a BFA from San Francisco Art Institute
and an MA from San Francisco State University, Pineda has received
commissions for murals from, among others, the San Francisco Recreation
and Parks Department and Art Commission, Coca-Cola USA for the 1994
World Cup Soccer Competitions, and the Fine Arts Museums of San
Francisco. Hocker, formerly Associate Curator of Education at the
Mexican Museum in San Francisco, is now a consultant specializing
in Mexican art and culture. She has been the guest curator for five
of OMCA's previous Días de los Muertos exhibitions.
The women's
artist group Las Otras as well as California artists Ray
Patlán, Patricia Rodriguez, Daniel Galvez, Jesus Angel Pérez, Dawn
Martinez and Antonio Castro have been
invited to create altars and artworks for the exhibition. In addition,
this year's exhibition will include exhibits of Days of the Dead
photographs and silk-screens as well as altars created by school
groups, OMCA interns and representatives of the Fruitvale community.
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Community
Celebration
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Las Otras
is a collective of emerging women artists from the Bay Area. The
group creates individual and collective performances, installations
and exhibits that explore popular culture, religious icons, the
body and mythical feminine symbols. Muralist Ray Patlán has
directed and painted murals in the U.S., Europe and Mexico and is
represented in the collection of the Fine Arts Museums of San Francisco.
Patricia Rodriguez, an award-winning muralist, mixed-media sculptor
and computer artist, was a co-founder of Mujeres Muralistas,
the first Chicana women's mural group in San Francisco. Oakland
muralist Daniel Galvez has created commissioned murals ranging from
Homage to Malcolm X for Harlem's Audubon Ballroom to four
transportable murals depicting sports and entertainment figures
for the Oakland Coliseum, and was recently awarded a $150,000 commission
for two murals for the Department of the Interior in Washington,
D.C. honoring the department's 150th anniversary. Jesus Angel Pérez,
a graduate of the National School of Art of the Autonomous University
of Mexico (UNAM) and currently director and curator of Balazo/Mission
Badlands Gallery in San Francisco, has exhibited internationally
in numerous solo and group exhibitions and mural projects, including
solo exhibitions in California, Spain, Austria, Canada and Mexico.
Dawn Martinez received a BFA from the Art Institute of Chicago and
in 1998 an MFA from U.C. San Diego, and currently works as gallery
manager and curator at Mexican Heritage Plaza in San Jose, California.
San Jose painter Antonio Castro exhibits extensively throughout
the Bay Area.
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Performers,
Days of the Dead
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The exhibition
will include photographs by Mary J. Andrade, author of a series
of three books titled "Through the Eyes of the Soul, Day
of the Dead in Mexico." Andrade has made trips to different
states in Mexico each year since 1987 to research and photograph
Days of the Dead traditions throughout the country. Also on display
will be original silk-screens from the collection of Margaret Santos
representing contemporary Days of the Dead celebrations.
Josie de la
Cruz and Carmen Flores, Fruitvale community activists in whose honor
Sanborn Park was recently renamed, will be celebrated in a community
altar called "Steps of Life" created by their relatives Gloria de
la Cruz and Twinkie Flores Bradshaw.
First-time
altar makers Maria Friely and Maritza Ortiz were part of the museum's
1999 Latino History Project and continued to work as interns at
the museum throughout the year. Maria Friely just graduated from
Oakland High School and plans to attend Alameda Community College
this fall and then study interior design in university. Maritza
Ortiz, a senior at Oakland High School, plans to major in visual
merchandising at California College of Arts and Crafts.
Third, fourth
and fifth grade students of art teacher Carol Lee at Sobrante Park
Elementary School in Oakland will create an altar exploring the
concept of balance in their lives and personal histories. Students
of Joaquin Flores at Oakland's La Escuelita Elementary School will
create materials for an altar to be installed in the Breuner Gallery.
Trained volunteers
from the community will give tours and spotlight talks in the exhibition.
The exhibition
and programs are made possible with support from the Institute of
Museum and Library Services and the Oakland Museum of California
Foundation. Additional support for the community celebration and
family programs has been provided by the James Irvine Foundation
and Chevron.
El
Color de la Muerte: Altars and Offerings for the Days of the Dead,
1999

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