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Portrait
of Sonya, 1987, Gift of Henry & Sonya Rapoport
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Son of Imogen Cunningham.
Apprentice to Ansel Adams. Protégé of Dorothea Lange.
Who is Rondal Partridge, and what's he been up to for 85 years?
Berkeley photographer
Rondal Partridge's seven decades of work are celebrated in two retrospective
exhibitions: Quizzical Eye: The Personal Photography
of Rondal Partridge, on view at the Oakland Museum
of California, and Quizzical Eye: The California Photography
of Rondal Partridge, at the California
Historical Society (CHS) in San Francisco. Both exhibitions
run from January 18 to June 22, 2003.
The two institutions
feature different aspects of Partridge's work: the CHS will showcase
documentary images depicting life in California during much of the
20th century, while the Oakland Museum of California will highlight
Partridge's more creative, expressive side. The Oakland exhibition
features approximately 100 framed photographs plus photo cubes,
collages and mixed media works. It also includes a video room and
a wall of self-portraits. The CHS will present about 100 images,
panoramas and composite murals of California life since the mid-1930s,
arranged to track Partridge's fiercely independent career and personal
choices.
The exhibition
titles are taken from the book Quizzical Eye: The Photography
of Rondal Partridge, written by the photographer's
daughter Elizabeth Partridge and UC Irvine art history professor
Sally Stein (CHS Press & Heyday Books, January 2003). The book
contains a foreword by Dan Dixon, Dorothea Lange's son, with approximately
100 black and white plates from 1934 to 2002.
Partridge has worked
as a professional photographer for more than 60 years. His body
of work encompasses the changing landscapes of Yosemite National
Park and the San Francisco Bay Area; striking images from rodeos,
junkyards and flea markets; architecture and urban scenes; and an
assembly of still lifes, portraits and whimsical, arresting compositions.
Partridge began
helping his mother in the darkroom and with her platinum printing
when he was five. During the '30s, he worked as an assistant to
Ansel Adams and Dorothea Lange, then moved on to work for the National
Youth Administration. He documented America's youth during World
War II, traveling through California to capture motorcyclists, hitchhikers
and farm workers. His photojournalism work in later years was featured
in the pages of Look, LIFE and Collier's magazines.
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| Ron
Partridge & Camera—For Modern Photography, 1954,
Gift of Paul S. Taylor |
In the 1960s
and '70s, Partridge combined straight black and white photography
with experimental work in film, multimedia slide presentations (at
the Oakland Museum, among other venues) and photographic assemblages.
He still works every day in his Berkeley studio, producing still
lifes and portraits using the venerable and laborious platinum process.
A "photographer's photographer," he has been central to
the photography scene of the Bay Area for many decades.
Two of Partridge's
daughters contributed to the exhibition. Elizabeth co-curated the
CHS exhibition with Sally Stein. Partridge's daughter Meg, a filmmaker
who produced award-winning films on Dorothea Lange and Imogen Cunningham,
has shot extensive footage of her father, which has been edited
into a short film to be shown in both exhibitions; "Outta My
Light: Photographer Rondal Partridge," directed by Dyanna Taylor
and Meg Partridge.
Quizzical
Eye: The Personal Photography of Rondal Partridge
is curated by Drew Johnson, curator of art photography at the Oakland
Museum of California, and made possible in part by the generous
support of the Oakland Museum Women's Board.
Quizzical
Eye: The California Photography of Rondal Partridge
is sponsored in part by grants from The Candelaria Fund, The Louise
M. Davies Foundation, and Grants for the Arts/San Francisco Hotel
Tax Fund.
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