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Summary of Public Art Opportunities at Oakland International Airport


Port of Oakland Public Art Ordinance
In May 2002, the Port of Oakland adopted a Public Art Ordinance as one way of addressing the responsibility for how its operations and actions impact the social fabric and population it serves. By providing the public with opportunities to experience high quality art of enduring value that reflects the diversity of the region and its people, the Ordinance reinforces the Port’s commitment to its customers, employees, the community and the environment.

The Public Art Ordinance makes public art a requirement for all major construction projects and for private development on land purchased and leased from the Port. They are committed to commissioning a wide range of artistic styles, forms, media and disciplines that characterize the breadth of contributions an artist can make to the public arena.

Oakland International Airport Renovation and Expansion
The Port of Oakland is constructing the largest aviation project in its 78-year history, the $150 million Terminal Improvement Program at Oakland International Airport (OAK). Program funding is through Port of Oakland operating revenues, passenger and customer facility charges. Originally designed for approximately eight million passengers annually, OAK served 14.1 million passengers in 2004, a year-over- year increase of 4.1 percent. Current projects underway to maintain OAK's reputation for convenience and on-time reliability include construction of a new concourse with five additional boarding gates and waiting areas; a modern, centralized food, beverage and retail shopping area; expanded ticketing, security and baggage claim facilities; and new utilities. In late 2005,OAK expects to begin improvements to the terminal roadway and curbside areas to ease congestion in front of the terminals.

Role of the Oakland Museum of California
The Oakland Museum of California (OMCA) is under contract with the Port of Oakland to manage the public art program for the T2 renovation and expansion. OMCA is responsible for overseeing the artist and artwork selection and approval processes, managing artist contract negotiations and monitoring the design, fabrication and installation of the artwork.

Public Art Project Opportunities
The Port of Oakland Aviation Division, through the Oakland Museum of California, is commissioning several new works of art in a variety of media. Below are brief descriptions of the public art projects currently underway or in the selection process.

Window in Terminal 2
Oakland artist, Hung Liu, was selected from a pool of 160 applicants to design a 10’ high by 120’ long glass window in the connecting walkway that will lead to the new departure gates. OMCA has contracted independently with Derix Glasstudios, a professional glass fabrication company, to provide technical services to Liu regarding final design, fabrication and installation of the artwork. Liu’s design, titled Going Away, Coming Home, will incorporate satellite imagery of the California coastline overlaid with her signature imperial cranes.

• Wall at Base of Escalator
Oakland artist, Alan Rath, was selected from a pool of 106 artists to design, fabricate and install a kinetic sculpture on a specially built wall to be located at the base of the existing escalator in Terminal 2. The sculpture, titled Birds in Flight will consist of three pairs of wings constructed of aluminum and spanning 8’ each. The wings will be mounted on a sky-blue painted wall and be programmed to simulate both flapping and gliding flight.

Media Wall in Baggage Claim
A media display, consisting of 18 CRT (Cathode Ray Tube) monitors, will be installed in the baggage claim area of Terminal 2. Measuring 8’ high x 21’ long, this palette will be offered to Bay Area video artists for creative programming. OMCA has contracted with Electrosonic Image Control for all hardware and software requirements. Electrosonic will be available to the selected artists for technical assistance. Up to $50,000 is available to commission video artwork from multiple artists. (The artist selection is currently underway)

Further Information
For further information, please contact:
Cherie Newell, Project Director
Allyson Hollingsworth, Administrative Assistant
Professional Services Department
510-238-6836 Phone
510-238-6838 Fax
ps@museumca.org

 
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