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Mitchell
Johnson,
Near Two Rock (Dave's
Yellow Plane), 1998 - 2000
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Each year,
Mitchell Johnson travels extensively, using the motifs found in
landscape and figure painting to explore the formal properties of
painting color, surface, form, scale and light. He seeks
to preserve the essence of place, recreating on canvas the complexities
in the space around him and the changes in his reaction to it.
Painting on
location demands an artist direct all senses to absorbing the ephemeral
information on view, to capture on canvas the sensory experience.
What is most remarkable about Johnson is his patience to allow the
scene to reveal itself to him, all the while wrestling with the
reality of recording the transitory aspects of nature: a shadow
cast from a passing cloud, the gentle movements of sinuous vines,
or a wave dancing in the surf.
This resolve
is driven by an unyielding desire to discover where a painting begins
and where it ends. Johnson initiates the creative process, assuming
a level of responsibility even before applying paint to canvas.
Yet with his first assured brushstroke he begins a new canvas, trusting
that during the creative process he will resolve the formal elements
while allowing room for the audience to experience the vision, intuitively
and intimately, as he experienced the place.
In the end,
we are left with compelling evocations of time and place that hold
enduring grace and clarity. In Johnsons work, we witness the
extraordinary gift of making the canvas a window, of creating something
on the other side that exists as life itself.
The exhibition
was curated by Elizabeth C. McLaughlin and runs through October
26, 2001 at the Latham Square office building located at 1611 Telegraph
Avenue in downtown Oakland. Building hours are 9 a.m. to 5 p.m.
Sponsored by
Latham Square Associates, LLC and CAC Real Estate Management Company,
Inc. in association with the Oakland Museum of California Professional
Services division.
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