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Dennis
Gallagher; Ball Suspended; 1993; ceramic; 69" x
33" x 21"
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Dennis Gallagher
expands the limits of clay to produce sculpture that embodies
both timelessness and modernity. While his architectural works
appear to be rooted firmly in the past, Gallagher is very much
influenced by contemporary, urban iconography. Street signs,
freeways structures and ruined monuments inspire him. Remaining
committed to the present, Gallagher interprets these contemporary
symbols to evoke tension and instability in several ways: the
juxtaposition of bold, minimal forms with intimately marked surface
details; the union of angular elements and smooth, spherical
shapes; the intimation of impending movement from objects that,
at first glance, appear to have remained inert for centuries.
Throughout
his career, clay has been Gallagher’s primary medium. He
explains, “…clay is the best sculptural medium because
it is capable of being worked very large and at the same time
has an immediate surface. Clay is both additive and reductive,
unlike other materials. Clay has a responsive surface that you
can affect. For me, it’s absolutely the best material to
work in.”
Gallagher
was born in San Bruno, CA and received his BA and MFA from California
State University in Fresno, CA. He has taught at both the California
College of Arts and Crafts and the San Francisco Art Institute.
His work is included in several museum collections, including
the San Francisco Museum of Modern Art, CA; the San Jose Museum
of Art, CA; the Crocker Museum of Art, Sacramento, CA; and Runnymeade
Sculpture Park, Woodside, CA. He is represented by Rena Bransten
Gallery, San Francisco, CA.
Organized
by the Professional Services division of the Oakland Museum of
California. |