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Chair
#858, 2004, 32.25” x 20.5” x 26”,
wood, G-10, brass, paint, Photo: M. Lee Fatherree |
Oakland
Museum of California (OMCA) Off-Site presents
Garry Knox Bennett: Preoccupations of a Serial Chairmaker at
Gallery 555 and the Sculpture Court in Oakland City Center. The
furniture
exhibition features hand-crafted chairs by renowned Alameda furniture
maker Garry Knox Bennett.
The chairs
featured at the Sculpture Court are based on the iconic “Zigzag
Chair,” which was designed and built in 1934 by Dutch architect
Gerrit Reitveld. Bennett loves to work in series. Because he rarely
brings preconceived notions to the construction of a piece, he sees
each as an opportunity to develop innovative techniques. He is able
to pursue alternative directions while gaining inspiration for new
designs. Bennett explains, “I put pieces together in my head – I
work out most of my designs at night instead of counting sheep.
Then I come into the shop the next day and start sawing.”
The chairs
at Gallery 555 are inspired by well-known furniture makers George
Nakashima and Philippe Starck, architect Frank
Lloyd Wright,
and some that are rooted purely in Bennett’s imagination.
While several chairs are constructed mainly of wood, such as
Modified
Nakashima and Modernized Nakashima, others demonstrate
his ability to bring together unexpected materials and colors. Prototype
#4 – Joe’s Chair includes wood, aluminum,
paint and upholstery in its construction. Chair #857 combines
wood, leather upholstery, 23K gold-plated brass, paint and
G-10 (an epoxy-filled woven glass composite reinforced with
glass fiber).
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Wing
Chair #6, 2003, 41.75” x 29.25” x 17”,
wood, paint, aluminum, Photo: M. Lee Fatherree |
Throughout his 30+year
career, Bennett has been defined as a maverick, an urban cowboy.
His coming-of-age in the alternative culture of
the Bay Area during the 1960s planted the seeds of Bennett’s
irreverent attitude toward the establishment. One particular source
of his frustration was the academic bent of East Coast woodworking
and craft practitioners. He even coined the term “technoweenies” to
describe those who were preoccupied with technically sophisticated
woodworking.
Bennett attended
the California College of Arts and Crafts in Oakland from 1959 – 1961, studying painting and metal sculpture. He
later founded Squirkenworks, a metal plating business that specialized
in making roach clips and hippie jewelry. By the early 70s, Bennett
began working with wood and developed a series of clocks using aluminum,
brass and wood. The pieces were sold at the San Francisco department
store Gump’s, thus cementing his role as a commercial artist
and woodworker.
By the late
1970s, Bennett’s career as a furniture maker
was fully established. Over the course of the next decade, Bennett
pioneered
the use of nontraditional materials in his furniture, including
plywood, aluminum, brass, plastic and ColorCore Formica. His judicious
use
of material, color and paint is considered by many to be his main
contribution to the furniture field. His skill in this regard is
clearly apparent in many of the chairs in Preoccupations
of a Serial Chairmaker.
American Craft
Museum curator Ursula Ilse-Neuman developed the retrospective exhibition,
Made in Oakland: The Furniture
of Garry
Knox Bennett for the American Craft Museum and the Oakland Museum of California.
She describes his furniture as “…emblematic of a period
of transition when new furniture designs challenged established
visions of everyday household objects, away from the handcrafted
wood tradition
and toward exuberant eccentricity full of visual surprises, unexpected
shapes and angles, striking colors, and contrasting materials and
surface treatments.”
Today, Bennett
remains one of the foremost furniture makers in the U.S., creating
most of his work here in Oakland. He
has been
widely
collected and exhibited, including exhibitions at the Jewish
Museum, San Francisco; the Fine Arts Museums of San Francisco;
the Museum
of Craft & Folk Art, San Francisco; the Craft and Folk Art Museum,
Los Angeles; the Clark Gallery, Lincoln, MA; and the San Francisco
Museum of Modern Art. His work is represented in the collections
of the Smithsonian Institution’s Renwick Gallery; the Museum
of Fine Arts, Boston; the American Craft Museum, New York; the
De Young Museum, San Francisco; the San Francisco Museum of Modern
Art;
the Oakland Museum of California; and many private collections.
Garry Knox Bennett: Preoccupations of a Serial Chairmaker is
presented by the Oakland Museum of California in partnership with
Shorenstein
Realty Services. The exhibition is part of a changing exhibition
series at Oakland City Center and represents an ongoing
collaboration between the museum and Shorenstein to showcase
contemporary
artists. Gallery 555 is located on the lobby level of 555
12th
Street.
The Sculpture Court is located in the rear lobby of 1111
Broadway.
Gallery 555
is managed by the Oakland Museum of California’s
Professional Services Division. Professional Services is a museum
department that shares the institution’s resources with the
community by developing fine art and artifact exhibitions in public
venues. For more information about Professional Services, please
go to www.museumca.org/off-site.
Oakland
City Center is a focal point for commercial and government
activity in downtown Oakland. For
more information
about
Oakland City Center, go to www.oaklandcitycenter.com.
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